I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Joseph Brown Gallery, Melbourne, 1977. Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. 29-31, Sydney, 20 Jun 1992, 29-31. Resolved: Release in which this issue/RFE has been resolved. Self Portrait in Studio Brett Whiteley 1976. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. 165-213, Kensington, 1979, 204 (colour illus. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. 30.5 x 25.5 cm Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. 46. Closed Good Friday & Christmas day Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. 239-240, Sydney, 2000, 256 (colour illus. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. The illustration in this publication is a detail of this image. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. Critique of Whiteley. Anna Waldmann, Art and Australia (Vol. This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. List of works. This photograph was taken by Andrew Rankin. How does it make you feel? This website comprises and contains copyrighted materials and works. In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. . Look at this beautiful house and wonderful pictures and things. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. Closed Good Friday & Christmas day Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). The urge was bound up with a self-conscious sense of his own genius. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. He met other artists and musicians while he lived at the Hotel Chelsea, where he befriended musicians Janis Joplin and Bob Dylan. 19-22, Sydney, 20 Jun 1992, 19-21 (illus.). Portraiture for Brett Whiteley was an insight into the psychology of the human condition. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. 'Appearing in the 'Time Out' section. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). Donated through. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. All Rights Reserved. In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. 5, Sydney, 07 Jul 1992, 5. Jill Sykes, Look, 'Members events', pg. Email clairem@ag.nsw.gov.au. . Share on Facebook Share on Twitter. BRETT WHITELEY. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. Provenance: private collection NSW (gift from the artist c.1975). For further information please contact NPG Copyright. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. 07 Apr 1939 15-41, London, 1995, 35, 165 (colour illus. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. After studying half-heartedly at art school he travelled to Europe on a scholarship. The author, Ashleigh Wilson, was the arts editor of The Australian newspaper. Get the best deals on Brett Whiteley Art Prints. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. 20-21, Heidelberg, May 1997, 21 (colour illus.). ), 23. Scholarly publications with full text pdf download. 2023 Guardian News & Media Limited or its affiliated companies. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. Lou Klepac, Brett Whiteley Drawings (2013). The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. (1974) The balcony 2 (1975) and Interior with time past (1976 . unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. 102-181, Sydney, 1999, 167 (colour illus.). Barbara Konkolowicz, A different vision, Sydney, 1998. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. No other Australian artist had such a wild, woolly set of curls. [4] In 1962, Whiteley married Wendy Julius. 'Brett Whiteley 1975. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. You entered the wrong email. Walsh also appears in the . He also painted the darling harbour and the opera because he lived in sydney. Saturday 29 April to Sunday 20 August 2006. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. On 23 November 2017 the book was named the people's choice winner at the Mark and Evette Moran NIB Literary Award. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). List of winners. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. Source: Art Gallery of New South Wales Archive. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Catalogue text. Open daily The Balcony 2 Brett Whiteley 1975. . Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. Image of David Williamson standing in front of 'The balcony 2'. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. (1975), both from the collection of the Art Gallery of NSW. AU $100.00. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. 20, No. Mervyn Horton (Editor), Art and Australia [vol. In 1991 he was awarded an Order of Australia. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. 174-195, Oxford, 2001, 190 (colour illus.). The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 26-53, Melbourne, 1997, 49 (colour illus. 'Brett Whiteley Self Portrait and Other Intimacies', pg. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. 100-111, London, 1998, 108 (colour illus.). 204-210. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. 28-29, Sydney, Mar 2012, 28, 29 (illus.). Brett Whiteley Self Portrait In The Studio Framed Print . He soon settled in Lavender Bay. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from ones psyche. 17, Melbourne, Feb 2001, 17 (colour illus.). The exhibition includes 20 Whiteley works and traces the artist's life and career from his earliest painting Self Portrait at Sixteen, 1955 to just a few months before his death with Port Douglas, Far North Queensland 1992. Thomas Keneally, Australia, 'Dead heart / live heart', pg. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. Dogs, 1975. The sculpture depicted on the right and others in the . 47-49, Sydney, Nov 2008, 47 (colour illus.). In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . 30.5 x 25.5 cm. Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. Appearing in the 'Special Exhibiton' section. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. 87-118, Sydney, 1991, 115 (colour illus.). Michaela Boland., Weekend Australian, 'Master cards', pg. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). 1924 Miss Collins by W B McInnes. Humphrey McQueen, Art Monthly Australia, 'Positions vacant', pg. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. ), 257 (colour illus., detail), 302. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. (1939-1992 ) Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. Free delivery and returns on eBay Plus items for Plus members. Gregory Weight/Copyright Agency, 2022, Greg Weight 7: BRETT WHITELEY, DAISIES, 1975 - 76. . Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. 9. Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. Telephone (02) 9225 1734 or 0414 437 588. Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. (age36in1975). Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). He then gifted it to the current owner who had it reassembled. It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. See opening hours Look at these paintings and examine how Whiteley has given us clues to his identity. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. Birds and heroes people Brett Whiteley's art. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. Alchemy is the mythical ancient process of turning ordinary compounds into gold. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. 44-45, Sydney, Jun 2012, 45 (colour illus.). Brett Whiteley was born in Sydney on 7 April 1939. Drugs and . The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. This work is such a significant piece it was an essential inclusion for the curator of this exhibition. Brett Whiteley is one of Australia's most celebrated artists. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. Wendy Owen., Age, 'Archibald and Sulman prizes scooped by Sydney artist; Whiteley wins the big double', Melbourne, 22 Jan 1977, 2 (illus.). The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). 28-29, Sydney, 09 Sep 1995, 28-29. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). List of works. from The New York Times: Clinton had borrowed from his proposals to make public colleges free. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . 109. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. The absorbing detail of the first painting has disappeared, as the artist withdraws into his own head. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). His self-portrait was a bold, almost grotesque confessional. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. Philip McIntosh. He was the youngest living artist to have work purchased by the Tate, a record that still stands. Jennifer Phipps role at the time of publication was Curator of Australian Art. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. ), 81. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. Gift of Patrick Corrigan AM 2004. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. By vintage wall art. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. Open daily signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). 45. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture.
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